Thursday, 3 January 2013

Music Industry - KEY CONCEPTS AND EXAMPLES


AUDIENCE
BRITNEY SPEARS
ARCTIC MONKEYS
50 CENT
TARGET AUDIENCE
Initially a young female audience of ‘teenyboppers’. Audience has matured with her and she has attracted a more male audience through provocative videos and magazine shoots. Gay following.
15-25 ‘music buff’ demographic. Reformer/Aspirer according to Rubicam & Youngs. The Pre-Kings of Leon audience.
Mainly male audience, who perhaps seek a similar success who are from similar backgrounds
People who seek adrenaline from his triumph
Possibly female who find him attractive
Hype Music – used in gyms for physical activity motivation.
People that aspire to be like 50 cent, usually from a deprived area who want the money, cars, sex, fame and party lifestyle of Curtis Jackson.
POSITIONING OF AUDIENCE
Immense press coverage. The audience becomes passive by consuming mass media photos and information about her.
Women may find them attractive, men will want to be their friends. Songs are about the reality of relationships.
The audience are ACTIVE in helping the Arctic monkeys to achieve success. The band themselves keep a low profile and rely on the audience.
Women may find 50 Cent attractive and men may find him inspirational and want to be like him.
Little press courage – especially in the UK.
Songs are about his previous life experiences or opinions
50 Cent likes to be in the media promoting himself or his G Unit members through TV advertisements and interviews.
RELATIONSHIP BETWEEN AUDIENCE AND TEXT
Britney communicates with her fans through her website, facebook and Twitter. She writes in a colloquial style which connects her with her fans and makes them feel closer to her. She wants to be a role model to young people. Fans feel as if they can communicate with her online although it is very difficult to actually meet her.
Interview style is informal (e.g. NME interview). They are on the same level as their fans.
50 Cent communicates to his fans through the use of his website, This is 50 and through his Twitter account. He likes to tell his fans what he is doing and where he is doing in the world at the moment like tours etc. But fans cannot really communicate with him back.
AUDIENCE RESPONSE
‘Loyal and Forgiving fans’ (Sunday Times article). Positive reaction to Circus Tour in 2009 after troublesome few years. 13 million viewers watched her UK comeback on the Xfactor in 2008 - she was criticised for miming.
Her fans expect a spectacle at concerts, and may not care that she mimes. Concert revenue is extremely important in the music industry now.
‘Crossroads’ 2002 (dir. Tamra Davis) got negative reviews in the US as it was predictable and not suitable for Britney’s younger fans. It ranked at no.9 on the box office charts in its first week of release but then quickly dropped out of the top 10.
Known for audience participation in concerts
Huge fan base which is illustrated through the charting success of his singles and albums.
Got new fan base through use of mix tapes on YouTube and publicity through his  “beef” with other big rappers such as Jay Z

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